{"id":49,"date":"2024-01-24T13:47:44","date_gmt":"2024-01-24T13:47:44","guid":{"rendered":"https:\/\/pf.fmxut.com\/schwartz\/?page_id=49"},"modified":"2024-04-24T06:29:57","modified_gmt":"2024-04-24T06:29:57","slug":"filmography","status":"publish","type":"page","link":"https:\/\/pf.fmxut.com\/schwartz\/filmography\/","title":{"rendered":"FILMOGRAPHY"},"content":{"rendered":"\n

DIRECTED WORKS<\/mark><\/strong><\/strong><\/p>\n\n\n\n

2024<\/p>\n\n\n\n

The Last Dinner (Parents<\/em> Scene Recreation) (In Production)<\/p>\n\n\n\n

Are You Looking Up (Narrative) (Post-Production)<\/p>\n\n\n\n

A Selfie a Day for 2 Years<\/em> (Experimental) 0’32”<\/p>\n\n\n\n

Bad Dream<\/em> (Narrative Music Video) 3’20”<\/p>\n\n\n\n

Big Deal<\/em> (Experimental Music Video) 3’20”<\/p>\n\n\n\n

2023<\/p>\n\n\n\n

Microcosmia<\/em> (Experimental) 2’36”<\/p>\n\n\n\n

Can’t Go Back Home <\/em>(Experimental Music Video) 3’13”<\/p>\n\n\n\n

Eighth Grade <\/em>(Scene Recreation) 2’39”<\/p>\n\n\n\n

A Blue Move<\/em> (Experimental Music Video) 2’18”<\/p>\n\n\n\n

Bigger Man (Experimental Music Video) 2’18”<\/p>\n\n\n\n

2022<\/p>\n\n\n\n

The Perfect Birthday Gift<\/em> (Narrative) 3’45”<\/p>\n\n\n\n

Death on a Wall<\/em> (Experimental) 2’09”<\/p>\n\n\n\n

The Dressing Room<\/em> (Narrative) 2’02”<\/p>\n\n\n\n

2021<\/p>\n\n\n\n

Who Killed Mrs. Evans?<\/em> (Narrative) 11’37”<\/p>\n\n\n\n

Misery<\/em> (Narrative) (dir. Joshua Schwartz and Sydney Paolercio) 2’58”<\/p>\n\n\n\n

2020<\/p>\n\n\n\n

Looking for the Answer <\/em>(Narrative) 3’24”<\/p>\n\n\n\n

POST-PRODUCTION<\/mark><\/strong><\/p>\n\n\n\n

2024<\/p>\n\n\n\n

Are You Looking Up (Narrative) (Post-Production) \u2013 Editor, Sound Designer, Colorist<\/p>\n\n\n\n

All Eye Seer (Music Video) (dir. Julian Ramirez) (Post-Production) \u2013 Colorist<\/p>\n\n\n\n

A Selfie a Day for 2 Years<\/em> (Experimental) 0’32” \u2013 Editor<\/p>\n\n\n\n

Bad Dream<\/em> (Narrative Music Video) 3’20” \u2013 Editor, Colorist, Animator<\/p>\n\n\n\n

Big Deal<\/em> (Experimental Music Video) 3’20” \u2013 Editor, Colorist<\/p>\n\n\n\n

Dead Poets Society (Scene Recreation) (dir. Isabella Guerrero) 1’38” \u2013 Title Animator, Colorist<\/p>\n\n\n\n

American Psycho<\/em> (Narrative Scene Recreation) 3’21” \u2013 Assistant Editor, Colorist<\/p>\n\n\n\n

2023<\/p>\n\n\n\n

Microcosmia<\/em> (Experimental) (dir. Joshua Schwartz) 2’36” \u2013 Editor, Colorist, Sound Designer<\/p>\n\n\n\n

State Lines (Narrative) (dir. Tristan Rioseco) 5’12” \u2013 Editor, Colorist, Sound Designer<\/p>\n\n\n\n

Can’t Go Back Home<\/em> (Experimental Music Video) (dir. Joshua Schwartz) 3’13” \u2013 Editor, Colorist<\/p>\n\n\n\n

A Blue Move<\/em> (Experimental Music Video) (dir. Joshua Schwartz) 2’18” \u2013 Editor, Colorist<\/p>\n\n\n\n

Ready or Not (Scene Recreation) (dir. Max Dunn) 4’36” \u2013 Editor, Colorist, Sound Designer<\/p>\n\n\n\n

Twilight (Scene Recreation) (dir. Leila Jolene) 2’26” \u2013 Editor, Colorist, Sound Designer<\/p>\n\n\n\n

Bigger Man (Experimental Music Video) (dir. Joshua Schwartz) 2’18” \u2013 Editor, Colorist<\/p>\n\n\n\n

Nothing Wrong with Wishing (Narrative) (dir. Sydney Paolercio) 7’58” \u2013 Editor, Colorist, Sound Designer<\/p>\n\n\n\n

2022<\/p>\n\n\n\n

The Perfect Birthday Gift<\/em> (Narrative) (dir. Joshua Schwartz) 3’45” \u2013 Editor, Colorist, Sound Designer<\/p>\n\n\n\n

Death on a Wall<\/em> (Experimental) (dir. Joshua Schwartz) 2’09” \u2013 Editor, Colorist, Sound Designer<\/p>\n\n\n\n

New City Blues (Narrative) (dir. Sydney Paolercio) 2’12” \u2013 Editor, Colorist, Sound Designer<\/p>\n\n\n\n

The Dressing Room<\/em> (Narrative) (dir. Joshua Schwartz) 2’02” \u2013 Editor, Colorist, Sound Designer<\/p>\n\n\n\n

Teen age bed Room (Experimental Music Video) (dir. Sydney Paolercio) 1’32” – Editor, Colorist<\/p>\n\n\n\n

2021<\/p>\n\n\n\n

Who Killed Mrs. Evans?<\/em> (Narrative) (dir. Joshua Schwartz) 11’37” \u2013 Editor, Colorist, Sound Designer<\/p>\n\n\n\n

Misery<\/em> (Narrative) (dir. Joshua Schwartz and Sydney Paolercio) 2’58” \u2013 Editor, Colorist, Sound Designer<\/p>\n\n\n\n

Trinkets (Narrative) (dir. Sydney Paolercio) 8’54” – Editor, Colorist, Sound Designer<\/p>\n\n\n\n

2020<\/p>\n\n\n\n

Looking for the Answer <\/em>(Narrative) (dir. Joshua Schwartz) 3’24” – Editor, Sound Designer<\/p>\n\n\n\n

CAMERA<\/mark><\/strong><\/p>\n\n\n\n

2024<\/p>\n\n\n\n

Are You Looking Up (Narrative) (dir. Joshua Schwartz) (Post-Production) \u2013 Camera Operator<\/p>\n\n\n\n

Bad Dream<\/em> (Narrative Music Video) (dir. Joshua Schwartz) 3’20” \u2013 Director of Photography<\/p>\n\n\n\n

Big Deal<\/em> (Experimental Music Video) (dir. Joshua Schwartz) 3’20” \u2013 Director of Photography<\/p>\n\n\n\n

American Psycho<\/em> (Narrative Scene Recreation) (dir. Joshua Schwartz) 3’21” \u2013 Director of Photography<\/p>\n\n\n\n

2023<\/p>\n\n\n\n

Microcosmia<\/em> (Experimental) (dir. Joshua Schwartz) 2’36” \u2013 Director of Photography<\/p>\n\n\n\n

Mimic (Narrative) (dir. Keara Davis) 5’36” – 1st Assistant Camera<\/p>\n\n\n\n

Can’t Go Back Home (Music Video) <\/em>(dir. Joshua Schwartz) 3’13” \u2013 Director of Photography<\/p>\n\n\n\n

Tahiti (Narrative) (dir. Leila Jolene) 8’01” \u2013 1st Assistant Camera<\/p>\n\n\n\n

Twilight (Scene Recreation) (dir. Leila Jolene) 2’26” \u2013 2nd Assistant Camera<\/p>\n\n\n\n

Black Panther (Scene Recreation) (dir. Michael Giovannini) 2’52” \u2013 1st Assistant Camera<\/p>\n\n\n\n

Ruby Parker Isn’t Afraid of Anything (Narrative) (dir. Tamara Perez de Jesus) 9’10” \u2013 1st Assistant Camera<\/p>\n\n\n\n

A Blue Move<\/em> (Experimental Music Video) (dir. Joshua Schwartz) 2’18” \u2013 Director of Photography<\/p>\n\n\n\n

Bigger Man (Experimental Music Video) (dir. Joshua Schwartz) 2’18” \u2013 Director of Photography<\/p>\n\n\n\n

2022<\/p>\n\n\n\n

The Perfect Birthday Gift<\/em> (Narrative) (dir. Joshua Schwartz) 3’45” \u2013 Director of Photography<\/p>\n\n\n\n

Death on a Wall<\/em> (Experimental) (dir. Joshua Schwartz) 2’09” \u2013 Director of Photography<\/p>\n\n\n\n

Teen age bed Room (Experimental Music Video) (dir. Sydney Paolercio) 1’32” – Director of Photography<\/p>\n\n\n\n

2021<\/p>\n\n\n\n

Misery<\/em> (Narrative) (dir. Joshua Schwartz and Sydney Paolercio) 2’58” \u2013 Director of Photography<\/p>\n\n\n\n

2020<\/p>\n\n\n\n

Looking for the Answer <\/em>(Narrative) (dir. Joshua Schwartz) 3’24” \u2013 Director of Photography<\/p>\n\n\n\n

GRIP AND ELECTRIC<\/mark><\/strong><\/p>\n\n\n\n

2024<\/p>\n\n\n\n

Ready or Not (Scene Recreation) (dir. Max Dunn) 4’36” \u2013 Gaffer, Grip & Electric Team<\/p>\n\n\n\n

2023<\/p>\n\n\n\n

La La Land The Fools Audition (Scene Recreation) (dir. Taylor Quinn) (Post-Production) \u2013 Lighting Advisor<\/p>\n\n\n\n

SOUND<\/mark><\/strong><\/p>\n\n\n\n

2024<\/p>\n\n\n\n

Lift (Narrative) (dir. Kaiden Hancock) 8’51” \u2013 Sound Mixer, Boom Operator<\/p>\n\n\n\n

Treasure Hunting (Narrative) (dir. Kara Cusson) 10’52” \u2013 Sound Mixer, Boom Operator<\/p>\n\n\n\n

2023<\/p>\n\n\n\n

Hello Stella (Narrative) (dir. Michael Giovannini) 11’55” \u2013 Boom Operator<\/p>\n\n\n\n

Draped In Your Colors (Narrative) (dir. Emily DiBernardo) 8’50” – Boom Operator<\/p>\n\n\n\n

Adeline and the Cyborg (Narrative) (dir. Hannah Sam) 12’32” – Boom Operator<\/p>\n\n\n\n

Admissions (Narrative) (dir. Luke Dye) 5’01” \u2013 Boom Operator<\/p>\n\n\n\n

2022<\/p>\n\n\n\n

Your Move (Narrative) (dir. Ethan Thomas) 7’41” \u2013 Boom Operator<\/p>\n\n\n\n

Heaven (Narrative) (dir. Sebastian Brito) 4’42” \u2013 Sound Mixer, Boom Operator<\/p>\n\n\n\n

PRODUCTION TEAM<\/mark><\/strong><\/p>\n\n\n\n

2024<\/p>\n\n\n\n

All Eye Seer (Music Video) (dir. Julian Ramirez) (Post-Production) \u2013 Pre-Production Advisor, 1st Assistant Director<\/p>\n\n\n\n

Lost & Found (Musical Narrative) (dir. Zoe Swanson) (Post-Production) \u2013 2nd Assistant Director<\/p>\n\n\n\n

Painting Liz (Narrative) (dir. Delaney Bailey) (Post-Production) \u2013 1st Assistant Director<\/p>\n\n\n\n

Bad Dream<\/em> (Narrative Music Video) (dir. Joshua Schwartz) 3’20” \u2013 Producer, Location Scout<\/p>\n\n\n\n

Big Deal<\/em> (Experimental Music Video) (dir. Joshua Schwartz) 3’20” \u2013 Producer, Location Scout<\/p>\n\n\n\n

Dead Poets Society (Scene Recreation) (dir. Isabella Guerrero) 1’38” \u2013 Producer, Location Scout<\/p>\n\n\n\n

Lift (Narrative) (dir. Kaiden Hancock) 8’51” \u2013 3rd Assistant Director<\/p>\n\n\n\n

2023<\/p>\n\n\n\n

State Lines (Narrative) (dir. Tristan Rioseco) 5’12” \u2013 Producer, 1st Assistant Director, Location Scout<\/p>\n\n\n\n

Momster (Narrative) (dir. Ghulam Quddus) 6’38” \u2013 Production Assistant<\/p>\n\n\n\n

Batman vs. Superman (Scene Recreation) 2’49” \u2013 Producer, 1st Assistant Director<\/p>\n\n\n\n

Foundation (Narrative) (dir. Steven Hedrick) 9’35” \u2013 Key Production Assistant<\/p>\n\n\n\n

Crazy in Love (Narrative) (dir. Luke Dye) 4’01” \u2013 1st Assistant Director<\/p>\n\n\n\n

Daffodils in December (Narrative) (dir. Emma Francis) 10’31” \u2013 Production Assistant<\/p>\n\n\n\n

2022<\/p>\n\n\n\n

Pirates (Narrative) (dir. Madison Harris) 3’32” \u2013 Set Production Assistant<\/p>\n\n\n\n

Don’t Let the Sun Go Down (Narrative) (dir. Pat Shafer) 9’29” \u2013 Production Assistant<\/p>\n\n\n\n

Wet Things (Narrative) (dir. Juliana Lee White) 12’10” \u2013 Production Assistant<\/p>\n\n\n\n

Two Hands (Narrative) (dir. Abdul-Aziz Muhammad) 7’23” \u2013 Production Assistant<\/p>\n\n\n\n

Passing (Narrative) (dir. Ricardo Lara) 3’16” \u2013 Production Assistant<\/p>\n\n\n\n

TALENT<\/mark><\/strong><\/mark><\/strong><\/p>\n\n\n\n

2024<\/p>\n\n\n\n

Lift (Narrative) (dir. Kaiden Hancock) 8’51” \u2013 Extra<\/p>\n\n\n\n

Dead Poets Society (Scene Recreation) (dir. Isabella Guerrero) 1’38” \u2013 Student<\/p>\n\n\n\n

2023<\/p>\n\n\n\n

Half Blood Prince (Scene Recreation) (dir. Kaiden Hancock) 2’09” \u2013 Harry Potter<\/em><\/p>\n\n\n\n

2022<\/p>\n\n\n\n

New City Blues (Narrative) (dir. Sydney Paolercio) 2’12” \u2013 Student<\/p>\n\n\n\n

Six Man (Narrative) (dir. YaSin Ali Abdul-Musawwir) \u2013 The Handler<\/em><\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

DIRECTED WORKS 2024 The Last Dinner (Parents Scene Recreation) (In Production) Are You Looking Up (Narrative) (Post-Production) A Selfie a… Read more FILMOGRAPHY<\/span><\/a><\/p>\n","protected":false},"author":189,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_crdt_document":"","footnotes":""},"class_list":["post-49","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/pf.fmxut.com\/schwartz\/wp-json\/wp\/v2\/pages\/49","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pf.fmxut.com\/schwartz\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pf.fmxut.com\/schwartz\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pf.fmxut.com\/schwartz\/wp-json\/wp\/v2\/users\/189"}],"replies":[{"embeddable":true,"href":"https:\/\/pf.fmxut.com\/schwartz\/wp-json\/wp\/v2\/comments?post=49"}],"version-history":[{"count":10,"href":"https:\/\/pf.fmxut.com\/schwartz\/wp-json\/wp\/v2\/pages\/49\/revisions"}],"predecessor-version":[{"id":458,"href":"https:\/\/pf.fmxut.com\/schwartz\/wp-json\/wp\/v2\/pages\/49\/revisions\/458"}],"wp:attachment":[{"href":"https:\/\/pf.fmxut.com\/schwartz\/wp-json\/wp\/v2\/media?parent=49"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}